Haalaat ke qadmon pe kalandar nahin girtaa ...

 Haalaat ke qadmon pe kalandar nahin girtaa,
Toote bhi jo taara, to zamin par nahin girtaa ... !

Girte hain samandar main bade shauq se daryaa,
Lekin kisi daryaa main samandar nahin girtaa ... !!

Samjhon waha phaldaar shajar koyi nahin hai,
Voh sahan ki jismein koi patthar nahin girtaa ... !!!

Hairaan hai kai roz se thehraa hua paani,
Talaab main ab kyun koyi kankad nahi girtaa ... !!!!

Iis banda-e-khuddaar pe nabiyon ka hai saaya,
Jo bhook main bhi luqma-e-tar par nahin girtaa ... !!!!!

kayem hai ae dost ab ye mere sar ke sutoon par,
Zalzala bhi aaye to meraa ghar nahin girtaa ... !!!!

 

Koi ehsas bhi ho ab ye zaruri toh nai

Koi ehsas bhi ho ab ye zaruri toh nai,
Tu mere saath ho ye bhi zaruri toh nai.

Ek jhokha tha wo fiza ka ya beshak teri koi ada,
Har saal wohi fiza ho ye bhi zaruri toh nai.

Reh gaye hum mehroom teri wafa sey,
Ab ho wafadari khud sey ye bhi zaruri toh nai.

The inception of urdu in India

The occurrence of two political events is very significant in the development of urdu literature in India. The first is in 13th century when Ala-Uddeen Khilji's army invaded the southern region. In the train of armies, came suffices, Fakirs, merchants and artisans. Along with them came urdu language into Deccan which was much classic and lymphatic.

The second occurrence was that of Mohammad Bin Tuglak’s choice of Devagiri (named Daulathabad) as a capital of the south. Mohammad Bin Tuglak ordered that the population of Delhi, in which all sorts of people were included, to be transferred to Daulatabad, the new capital. His order had to be obeyed by the people of Delhi rich and poor, traders and fakirs professional and artisans etc. This event helped in propagation of urdu that was still in a formative stage.the migrant language took no time to adjust itself to the new surroundings.

In the fifties of the 14th century when tuglaks became week, so they seceded from its center gradually. In 1350 a new sultanate named as Bahmani Sultanate was established independent of the north. The Sultan who laid the foundation of this southern principality naturally alienated himself from north and associating himself with the south and they were proud to be called Deccanis though they were Turks by origin.as a matter of principle the rulers of Bahmani kingdom encouraged local languages, customs and practices which were quite different from the north and encouraged native festivals.

Linguist experts are uniformly of opinion that urdu started from north India, sometimes from 1000 CE. The earliest traces of it are to be found in the sayings of Sufis and fakirs, religious men and their short pronouncements, phrases and sayings. But in north India there was no regular tradition of writing in urdu, but when urdu reached Deccan in the fluid state, in broken sentences sayings and proverbs there started the tradition of writing and pulishing collective works regularly. The earliest of urdu belongs to the bahmani period Nizami Bedari's Mathnavi' Kadam Rao Padam Rao' has the distinction of the days of the 9th Bahmani Sultan, Sultan Ahmad Shah wali Bahmani(1421-1434). Though we come across references to urdu writing from some Sufis and other writers among whom Sheik Ainuddin Ganjul Ulum and Hazrath Khwaja Band-e-Nawaz are very significant, but as doubts have arisen about the authenticity of the work alluded to them, the Mathnavi mentioned above holds its primary place. 

During the Bamani period urdu has spread to all directions and became the single common language of Deccan and in the favorable atmosphere of this period it opened the way for further literary works. But Bahmani sultanate ended by the end of 15th century and there arose 5 states out of its ashes

(1) The Adilshahis of Bijapur, 

(2) The Khutb Shahis of Golkunda

(3) The nizam Shahis of Ahmadnagar

(4) The Barid Shahis of Bidar

(5) The imad shahis of berar

Of these the Bijapuri and the Qutab Shahis contributed much to the development of the urdu language. They were like counterparts of Delhi school (Dabisthan) and Lucknow School (dabisthan). For the next two centuries, urdu developed well and its progress was remarkable one during their regime. Such progress is not seen in any regime later. There was a great spurt of Mathnavis during this period. They covered different subjects and they spread out in several Libraries of India, Pakistan, Europe and America in manuscript forms of which some are still preserved in good condition. 

Kyun ke...main Gareeb ka beta hoon

   ○○●Main Gareeb Ka beta Hoon●○○

Haan,
Main ghareeb ka beta hoon…
Zindagi ko sitam main kehta hoon.

Majbooriyon me bhi khush rehta hoon.
Chand boondon se pait bhar leta hoon.

Kyun ke
Main ghareeb ka beta hoon…

Thandi mein thithoor leta hoon,
Barsaat mein bheeg leta hoon,
Garmi paaon jalaati hai …….
Toh
Pathron pe main so leta hoon.

Kyun ke
Main ghareeb ka beta hoon…

Kabhi sabzi, to kabhi kuch na milay,
Namak, roti pe main jee leta hoon,
Zakham chahay jaisa bhi ho,
Thori haldi main laga leta hoon,

Kyun ke
Main ghareeb ka beta hoon…

Ek kameez, ek patloon,
Roz bina sabun, main dhota hoon,
Bari dukaano ki ronak dekh,
Aksar khush main ho leta hoon,

Kyun ke
Main ghareeb ka beta hoon…

Gham bhi bohot hai.. Dard bhi hai..
Dil mein sab dabaa leta hon,
Kabhi akelay, to kabhi sab k samnay,
Aankhon se angootha bhigo leta hoon,

Kyun ke
Main ghareeb ka beta hoon..!!

Hanste huye logon ko rulaya...

Hanste huye logon ko rulaya nahin karte,
Hum apna koi zakham dikhaya nahin karta,

Ik bar jisy apni nigahon se gira dain,
Phir us ko kabhi dil mein basaya nahin karte,

Us sakhs se mil kar mujhe ehsas hua hai,
Jo paird bade hote hain saaya nahin karte,

Rakhte hain unhe hum sadaa seeney se laga kar,

Dukh apna kisi ko bhi sunaya nahin karte,

Yeh khel mohabbat ka hai phir soch lo 'Zeeshan',
Kho dete hain yahan sab kuch paaya nahin karte..

Ashq aankh me aa kar... (GHAZAL)

Ashq aankh me aa kar, haal-e-dil bataate hai'n...
Baat apne ghar ki hai, gair ko sunaate hai'n...

Manzile'n qadam choome, khuawb muskurate hai'n...
'''Azm ke musafir ko, raaste bulaate hai'n'''

Taj phenk do apne, takht chhodh do saare......
Is jahaan-e-faani se, khali haath jaate hai'n

Ye mazaar ke mulla, wo naseeb ke saudey....
Aayate'n bhi quraa'n ki, log bech khate hai'n

Foonk se kabhi mujhko, tum bujha nahi sakte....
is diye ko khud toofa'n, god me khilaate hai'n

Umr dhal gayi lekin, shokhiya'n nahi badlee'n....
Aaj bhi tere gaisoo, khushbuye'n lutaate hai'n

Be-hijaab banjaaran , naachti hai jab koii.......
Ye zameen hansti hai, aasman gaate hai'n

Jugnuo'n kabhi tum ik, shaam mere ghar aao.....
Sunte hai'n andhere bhi, tum se jagmagate hai'n

Gore gore ye bachchey, kiya haseen kaliya'n hai'n....
Titliya'n machalti hai'n, jab ye khilkhilaate hai'n.

ik kitaab dil ki 'adab', likh ke bhool aaye hai'n....
Kuchh waraq magar ab bhi, humko yaad aate hai'n.

BY-- Mansoor Adab Pahaswi.